Acting is Living African travel yet a challenge to our

yet a challenge to our modern assumptions

SPECIAL ISSUE: Mapping Social Remittances | Editorial: Mapping social remittances-Paolo Boccagni and Francesca Decimo|Rethinking social remittances and the migration-development nexus from the perspective of time-Peggy Levitt and Deepak Lamba-Nieves|Linking social and financial remittances in the realms of financial know-how and education in rural Ecuador-Diana Mata-Codesal | Migrants and their money are not all the same-Ester Gallo|Rethinking family relations through the allocation of emigrationÕs resources-Melissa Blanchard |Africa-Israel-Africa: Return-migration experiences of African labour migrants-Galia Sabar |Migration and family change in Egypt: a comparative approach of social remittances-Lucile Gruntz and Delphine Pag�s-El Karoui|WomenÕs social remittances and their implications at household level-Ionela Vlase|Ukrainian migrant womenÕs social remittances-Francesca Alice Vianello |Changing patterns of migration to Australia's Northern Territory-Catherine Martel

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Edward de Bono

Acting is Living African travel yet a challenge to ourCliff Osmond, Hollywood actor, teacher, director and award winning writer, with more than forty five years of experience at the highest levels of his craft, offers his unique and perceptive thoughts on acting. "There is no such thing as 'acting,' there is only life. What the actor must do is make sure that his life pccurs excitingly, on demand, within the narrow confines of a script, and in front of an audience." The rest is clarification. To aid